Would we be able to resist taking revenge, if that revenge were made possible? My protagonist, Paulina Salas, captures the doctor she believes raped and tortured her many years ago, and puts him on trial in her beach-house. I wanted to look at the question of how we coexist in the same country, even in the same room, with someone who has caused us grievous, perhaps irreparable harm. I couldn't stand that silence, and the result was my play, Death and the Maiden. Everywhere I turned, I saw victims and tormentors living side by side, drinking at the same bars, eating at the same restaurants, jostling each other on buses and streets - never acknowledging the pain and the guilt, not to themselves, not to anybody. Although no longer president, he was still head of the army, and remained ominously powerful, ready to strike again. When I went home to Chile in 1990, after an exile of many years, I found a land morally devastated by the dictatorship of General Pinochet, who had ousted the elected government in 1973.
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